Business Music Statistics


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Business Music Statistics 2023: Facts about Business Music outlines the context of what’s happening in the tech world.

LLCBuddy editorial team did hours of research, collected all important statistics on Business Music, and shared those on this page. Our editorial team proofread these to make the data as accurate as possible. We believe you don’t need to check any other resources on the web for the same. You should get everything here only 🙂

Are you planning to form an LLC? Maybe for educational purposes, business research, or personal curiosity, whatever the reason is – it’s always a good idea to gather more information about tech topics like this.

How much of an impact will Business Music Statistics have on your day-to-day? or the day-to-day of your LLC Business? How much does it matter directly or indirectly? You should get answers to all your questions here.

Please read the page carefully and don’t miss any words.

Top Business Music Statistics 2023

☰ Use “CTRL+F” to quickly find statistics. There are total 75 Business Music Statistics on this page 🙂

Business Music “Latest” Statistics

  • 2017 had music sales of $2.6 billion. While the worldwide music business is 54% digital, the majority of recording income in japan is still produced by the sales of physical formats.[1]
  • The three primary subindustries of live recording, publishing, and streaming are anticipated to create 7 billion in total income for the music business.[1]
  • Even though there are many choices for lawfully streaming music today, music piracy is still a danger to the business, according to a 2018 MUSO research.[2]
  • However, at 40.6%, these businesses had a decent representation of women in executive positions.[2]
  • There is a possibility that the streaming business is less competitive than people in the industry would want given that 80% of UK customers depend on streaming services to listen to music.[2]
  • Apple Music accounts for 6.4% of the company’s entire income, making Spotify Apple’s services business the division with the quickest growth.[3]
  • The US sector rose by 7.5% over that period, increasing its sales from 7.4 billion in 2019 to 8 billion in 2020. The U.S. recorded music business expanded by 22.6% alone in 2021.[4]
  • However, with a 35% growth rate, the middle east and north Africa will be the fastest-growing area for the world’s recorded music business in 2021.[4]
  • The U.S. recorded music business generated $8 billion in sales in 2020, a 7.5% rise over its $8 billion in revenue in 2019.[4]
  • 65% of the 25.9 billion dollars in the income generated by the world’s recorded music business in 2021 came from streaming, including both paid and free subscriptions.[4]
  • In all, this collection of artists how much of the music business’s income is generated via streaming provides the music business with 65% of its income.[4]
  • However, with a 35% growth rate, the Middle East and North Africa will be the fastest-growing area for the world’s recorded music business in 2021.[4]

Business Music “Job” Statistics

  • Based on the State of the Nation Music Education 2017, the number of full-time jobs in the music sector increased by 3%.[2]

Business Music “Line” Statistics

  • Although it is free to listen to music on streaming services, 46% of stream rippers download the songs so they may listen to them offline.[2]
  • The age group of 16 to 24 years old had the highest participation rate in online music piracy, with 55% of those in this group utilizing illicit means to download songs.[4]
  • Another widespread practice was illegal music downloading, with approximately 20% of internet users engaging in it. The age group of 16 to 24 years old had the highest participation rate in online music piracy, with 55% of those in this group utilizing illicit means to download songs.[4]

Business Music “Music” Statistics

  • This gain was driven by digital sales, which saw a 14.1% increase in sales of digital albums and a 51% increase in sales of digital tracks, while physical music sales fell by 12.8% to 2011.[5]
  • Universal music group generated 40% of the global sales of classical music in the year before, according to Seagram’s June 2000 annual report filed with the U.S. Securities and Exchange Commission.[5]
  • The RIAA announced a 5% rise in sales over 2010 in mid-2011 but said that there was probably no one factor to blame. According to the Nielsen Company Billboards 2012 industry report, music sales have climbed overall by 3.1% from 2011.[5]
  • According to the Nielsen and Billboard analysis, 50.3% of music sales in 2011 were digital.[5]
  • According to SoundExchange, subscription-based streaming music with adverts increased 29% to 24 billion.[5]
  • According to 19 statistics, the U.S. music industry’s total income fell by half from a peak of 14.6 billion in 1999 to 6.3 billion in 2009.[5]
  • The RIAA survey done in 2016 found that streaming platforms are the most popular method to listen to music in Japan. Youtube was the primary source of music discovery and consumption for 42.7% of those surveyed.[1]
  • Based on the aforementioned RIAJ research, which found that fewer than 10% of respondents utilized radio, including digital broadcasts, as a source of music, radio in Japan is shifting its emphasis away from music broadcasts and toward conversation formats.[1]
  • New releases by their favorite musicians, according to 68% of 16 to 19-year-olds, helped them get through this difficult period.[2]
  • 73% also said that despite the pandemic’s impact on daily life, individuals may still listen to music when necessary.[2]
  • When COVID-19 hit, 87% of people said that music provided them with the pleasure and fulfilment they were seeking.[2]
  • According to a 2019 estimate by the verge, streaming accounts for 80% of the music industry’s earnings.[2]
  • Spotify is the most popular music streaming service, with over 350 million users and 150 million subscriptions, according to the Business of Apps.[2]
  • 23% of interaction, according to the study, comes from paid music streaming services like Spotify and Apple music.[2]
  • From 2021 to 2031, the employment of musicians and singers is anticipated to increase by 4%, nearly as fast as the national average for all professions.[6]
  • Since 2014, it has expanded at an average pace of 43.9%, becoming the main source of income for the majority of music companies.[7]
  • In 2021, revenue from music streaming applications reached 251 billion, up 32% from the previous year. The U.S. accounted for almost half of all music streaming app revenue.[7]
  • I’d estimate that 80% of the top 100 music labels worldwide have at least one paying customer, and the majority have at least a couple.[8]
  • When questioned about the source of their favorite music ninety-three of South Korean music listeners said they preferred to listen to South Korean music.[9]
  • Preferred method of music acquisition 63.7% of respondents said they preferred streaming, while just 32% opted to buy a printed copy.[9]
  • Warner music group received 15.9% of the money made from physical and streaming music sales worldwide in 2020.[4]
  • Because streaming generates 65% of the music industry’s income, these subscribers have a substantial impact on the worldwide music market.[4]
  • There were 82.1 million paying subscribers to RB at the start of 2021, and hip-hop made for 30.7% of all on demand music streams in the U.S. that year.[4]
  • The recorded music sector in the U.S. and Canada as a whole witnessed a 22% gain, which was much greater than the two nations’ combined 2020 growth rate of 75%.[4]
  • However, independent labels and Spotify, which has a market share of 31%, is the biggest music streaming service.[4]
  • 31.4% of the global income from streaming and physical music purchases was generated by independent record companies in 2020.[4]
  • More precisely, subscription audio streams provide 47.3% of the recorded music industry’s worldwide income, while ad-supported streams bring in 17.7%.[4]
  • 2020 generated 20.6% of the worldwide income from physical and streaming music sales for Sony Music Entertainment.[4]
  • 30% of those who did this used stream ripping, which is the unlawful practice of storing streaming music.[4]
  • The top three record labels in the world together earned 32.1%, 20.6%, and 15.9% of all worldwide streaming and physical music sales income in 2020. Together, they generated 68.6% of this industry’s global revenue.[4]
  • Because they didn’t work with a record label, artists direct saw their total yearly income increase by 34.1% from 2019 to 2020, and as a result, they owned 51% of the recorded music industry in 2020.[4]
  • The biggest record label in the world, universal music group, earned 32.1% of the total income from retail and streaming music worldwide in 2020.[4]
  • Global recorded music sales drop 84%, per IFPI 2011 report by top international sellers Eminem and Lady Gaga.[5]
  • US-based universal music group, controls 32.41% of EMI music Sony Music Entertainment, a U.S.-based company that controls EMI group’s publishing arm, owns 67.8% of the company.[5]
  • In the united states, there were 17 million stream rippers in 2017. This information comes from the market research company music watch.[2]
  • In 2021, apple music generated $5 billion in sales or 6.4% of the company’s overall services revenue. As of June 20, there were 88 million apple music subscribers.[3]
  • Next is apple music at 15%, although in terms of what it pays its artists, Apple Music outperforms Spotify.[4]
  • However, Tencent music, Amazon music, and Apple music, each of which has 13% of the subscription market, are not far behind at 15%.[4]
  • 8% of the market’s total subscriptions are to YouTube music. With 6% in NetEase, and 2% in Deezer and Yandex each, while various other platforms account for the remaining 10%.[4]

Business Music “Other” Statistics

  • 2011 report Eminem and Lady Gaga are the top international sellers, with global record sales falling 84%.[5]
  • CD sales accounted for around 21% of 2003’s total gross CD income figures.[5]
  • The big four were founded in 2004 by a joint venture between Sony and BMG when the size of the worldwide industry was projected to be $30-40 billion.[5]
  • As first reported on August 5, 2008, Sony Corporation stated in October 2008 that it had finalized the purchase of Bertelsmann’s 50% share in Sony BMG.[5]
  • Spotify gives around 70% to rights holders, who then pay artists under their contracts.[5]
  • In the last ten years, between 15 %and 30% of tunes on streaming sites had no artist information attached to them.[5]
  • According to the most current data from RIAJ, the streaming market grew noticeably in 2018, as seen by the 30% and 62% increases in audio subscription and ad-supported video streaming revenues, respectively.[1]
  • Nevertheless, since certain areas, including Russia and India, have lower pricing, streaming income only increased by 19.5%.[2]
  • Music education in the united states in 2017 because with COVID-19, the concert industry was predicted to lose billions.[2]
  • According to the verges study, sales of physical media increased in 2019 according to Statista.[2]
  • In the U.S., streaming service income is so robust that it increased by 26% in the first half of 2019.[2]
  • The overall number of albums purchased in the U.S. is also up, by 11.3%, to 802.5 million from 893.1 million.[2]
  • 12.3 million people attended the virtual concert, which increased streaming figures by 136%.[2]
  • The majority of poll participants believed Kpop was well known and popular among the general public rather than being restricted to fan communities, according to a 2021 study on the genre’s popularity throughout the globe.[9]
  • However, in terms of video streams, it outperformed rock with 13.5% of plays as opposed to 11.4% for rocks.[4]
  • With 31% of the market share in terms of subscriptions, Spotify has the greatest fraction of these users.[4]
  • These artists’ earnings increased far more quickly than the industry’s overall revenue growth of 7%.[4]
  • This proportion, which includes both paid subscription audio and ad-supported free subscription streams, increased from the 2020 share of 61.9%.[4]
  • Compared to the industry’s overall revenue growth rate of 7% during the same period, this group of artists’ total revenue increased by 34.1% between 2019 and 2020.[4]
  • Together, the U.S. and Canada had a growth rate of 22% this year, rising from a rate of 7.5% in 2020.[4]

Also Read

How Useful is Business Music

Business music serves several purposes beyond just filling the silence. One of its primary functions is to create a welcoming and pleasant environment for customers. The right music can influence mood, behavior, and purchasing decisions. For example, in retail settings, upbeat and lively music can encourage shoppers to stay longer and make more spontaneous purchases. On the other hand, soft and calming music can create a relaxing atmosphere in restaurants, leading to a more enjoyable dining experience for patrons.

In addition to setting the right tone, business music can also help reinforce a brand’s image and identity. The choice of music can communicate the values, personality, and style of a business to its customers. For instance, a hip and trendy clothing store might play current pop hits or indie music, while a luxury hotel might opt for classical or jazz music. By using music as a branding tool, businesses can create a cohesive and memorable experience for their customers.

Furthermore, business music has the potential to boost employee morale and productivity. Studies have shown that listening to music can improve concentration, reduce stress, and increase motivation in the workplace. By playing background music, businesses can create a more positive and engaging work environment that can lead to higher job satisfaction and performance.

Despite its many benefits, business music can sometimes be a double-edged sword. For some individuals, constant exposure to background music can be overwhelming or distracting. In busy retail environments, for example, loud or repetitive music may contribute to sensory overload and fatigue in customers. Similarly, in office settings, employees may find it difficult to concentrate or communicate effectively in noisy or chaotic environments.

Moreover, the use of business music is not without its logistical challenges. Businesses must carefully consider factors such as volume, genre, and timing when selecting music for their spaces. Failing to do so can result in a disconnect with customers or employees, leading to negative perceptions of the business.

In conclusion, while business music can be a valuable tool for creating the right ambiance and enhancing customer experience, its effectiveness ultimately depends on how it is implemented and integrated into a business’s overall strategy. By choosing music that aligns with their brand, engages their target audience, and respects the needs of those in their spaces, businesses can leverage the power of music to their advantage.

Reference


  1. soundcharts – https://soundcharts.com/blog/japan-music-market-overview
  2. toneisland – https://toneisland.com/music-industry-statistics/
  3. businessofapps – https://www.businessofapps.com/data/apple-music-statistics/
  4. zippia – https://www.zippia.com/advice/music-industry-statistics/
  5. wikipedia – https://en.wikipedia.org/wiki/Music_industry
  6. bls – https://www.bls.gov/ooh/entertainment-and-sports/musicians-and-singers.htm
  7. businessofapps – https://www.businessofapps.com/data/music-streaming-market/
  8. musicbusinessworldwide – https://www.musicbusinessworldwide.com/why-soundcharts-used-by-all-major-record-companies-is-not-your-typical-music-data-aggregator/
  9. statista – https://www.statista.com/topics/5098/music-industry-in-south-korea/
  10. musicbusinessworldwide – https://www.musicbusinessworldwide.com/
  11. zippia – https://zippia.com/advice/music-industry-statistics/

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